Zach filled one of the most atypical roles you can have on set. He ran sound for an entire 15-hour shoot day knowing we would likely never use any of it in the final film (we used ADR for the entire film).
Sounds crazy, but we needed a guide track for the edit. Zach also wanted to make sure he captured plenty of ambience in case it proved useful during the film's sound design. On day 3, there Zach was again capturing fountain noise, city sounds, anything that could prove useful in post production. On the studio side Zach worked on ADR and other technical aspects that brought the film's soundscape to life.